Swann Auction: The Stephen L. White Collection and Fine Photographs Tuesday March 23rd
Sale 2208 Lot 54
MUYBRIDGE, EADWEARD (1830-1904) “Mills Seminary, Seminary Park, Alameda Co., Cal.”
Description: MUYBRIDGE, EADWEARD (1830-1904)
“Mills Seminary, Seminary Park, Alameda Co., Cal.” Mammoth albumen print, 15×21 1/4 (38.1×54 cm.), with Muybridge’s credit, the title, publisher’s information and notations printed on mount recto. 1873
Estimated Price: $10,000 – $15,000
Notes: The publishers are Bradley Eldridge, Rulofson, San Francisco. The other notations read, “Compliments J.O. Eldridge.”
Formerly in the collection of a Mills College Trustee; acquired from a private Denver dealer in 1990.
The Photograph and the American Dream 1840-1940, 50.
Former missionaries Cyrus and Susan Mills purchased the seminary in 1865 and moved its location to its present site in the Oakland foothills, changing its name to Mills Seminary. Mills Hall was built in 1871, and the young ladies who resided there ate vegetables from the school’s garden and drank milk from the school’s cow. Muybridge’s photograph shows the women of Mills Seminary on the lawn in front of Mills Hall, which remains a landmark building on the campus today. Mills Hall, an Italianate/Second Empire building by Samuel Bugbee and Sons, is now at the center of the campus. Much of the lush landscaping was the result of Dr. Cyrus Mills’s interest in horticulture, and provides the backdrop for an eclectic collection of buildings representing works by many of the region’s notable architects and more than a century of Bay Area architecture.
Sale 2208 Lot 10
MUYBRIDGE, EADWEARD (1830-1904)
Thirteen-part panorama of San Francisco, California. Toned silver prints (13), each approximately 18×15 inches (45.7×38.1 cm.), total size measuring approximately 195 inches (495 cm.) in length, flush mounted, each framed in lucite. 1878; printed 1973
Acquired from a Santa Barbara, CA bookseller.
The Photograph and the American Dream 1840-1940, 170.
This panorama, which is comprised of 13 separate images, is one of the most precise visual records of San Francisco before the decimating earthquake of 1906. Muybridge’s construction of the panorama spawned his interest in progressive motion and sequential imaging, laying the groundwork for the stop-motion photographs that Muybridge would produce later in his career. The panorama he produced a year earlier, in 1877, consisted of 11 panels.
Sale 2208 Lot 60
Author’s Edition, Animal Locomotion
SIGNED & INSCRIBED BY “THE AUTHOR” MUYBRIDGE, EADWEARD (1830-1904)
“Animal Locomotion (An Electro-Photographic Investigation of Consecutive Phases of Animal Movements).” With 21 plates depicting wrestlers, running and jumping horses, a lion, a bird in flight, walking and jumping men, a topless woman jumping rope, a nude man swinging a baseball bat and others. Collotype plates, size ranging from approximately 8 3/4×11 3/4 to 5 1/2×17 1/2 inches; sheet size 18×23 1/2 inches, on the two-toned paper, each with Muybridge’s copyright, title, date, plate number and “Author’s Edition” printed on recto; with an inscription by Muybridge, in pencil, on the title page. Atlas folio, gilt-lettered leather label, boards. 1872-1885; printed 1887
The inscription reads, “With the warm esteem of The Author 31 March 1890.”
Acquired from a California collector via a private sale in 2008.
This Author’s Edition, published under the auspices of the University of Pennsylvania, represents a collection of some of the most dynamic images from Muybridge’s series. Each Author’s Edition contains a unique selection of images and quantity of plates.
Sale 2208 Lot 59
MUYBRIDGE, EADWEARD (1830-1904)
Self-portrait showing movements from “Animal Locomotion.” Collotype, 8 1/4×15 inches (21×38.1 cm.), with Muybridge’s printed credit, title, date and plate number on the two-toned paper recto. 1887
Acquired from Jo Tartt, Washington, D.C. in 1990.
The Photograph and the American Dream 1840-1940, 36.