Move! at NK Gallery, Boston

September 2010

NKG presents MOVE! an exhibition that relates to movement through space and time. Jeffrey P. Heyne and Rufus Butler Seder, two artists that live and work in New England both use photography as a starting point and challenge the temporal quality of movement. This exhibition will open September 1, 2010 and run through September 26, with opening reception Friday, September 10, 5 – 8 PM

(Images from left going clockwise: Rufus Butler Seder “Figure Descending a Staircase”, Lifetiles, 4’w x 6’h, 2009; Jeffrey Heyne “Muybridge Boxers No. 10+1”, 2009 & “Muybridge Boxers No. 9+7”, 2010, both digital print and polyester resin on Dibond panels)
by Kathy A. Halamka

“We just opened (September 1) a visually energetic exhibition called “Move!” at NK Gallery. The artists featured are Jeffrey Heyne and Rufus Butler Seder. Their images pay homage and play with, in different ways, to Eadweard Muybridge’s  photographic movement studies. Jeffrey Heyne was inspired by flip books of Muybridge’s images, and his manipulations bring the frozen images back to movement, then freezes them again in a visually seductive resin surface. Rufus Butler Seder has developed a lenticular  form of glass tile he calls Lifetiles, and at his studio creates all the many stages to build both small and very large murals of moving images – one of the ones at NK Gallery evokes the Muybridge Galloping Horse.”

http://artthatislife.blogspot.com/2010/09/move-at-nk-gallery.html

NK Gallery LLC (NKG) was established in 2010 by Natacha Sochat and Kathy Halamka. Our artists represent a broad and vibrant contemporary spectrum of ideas, approaches, and materials.

http://www.nkgboston.com/

JEFFREY P. HEYNE

Statement

“My current series of works are reinterpretations of Eadweard Muybridge’s stop-motion photos from the 1880’s. It is from toy flip-books of the photos comprising his seminal publication, Animal Locomotion, which my work borrows from.

I am interested in the idea of playing with his iconic images– to make his frozen photos “move” again. Muybridge’s high shutter speeds broke down movement into distinct visual images, separated by equal intervals of time that could be analyzed frame by frame, and to observe a cause and effect sequence for scientific study. From a physical point of view, each of the still images is actually a record of a period of time of about 1/2000 of a second, a short time but still a duration of time. From a phenomenological point of view though, can this freeze-frame image, in a sense, be re-activated to release the latent motion it originally recorded?

With Photoshop, I alter Muybridge’s image by distorting, blurring, warping, stretching, or twisting to imply a sense of motion. I would like to elicit a metaphorical sense of allowing time to re-flow. Like pressing <PLAY> after the <PAUSE> button has been on for the past 125 years.

But how is this new motion read in today’s time? What visual consequences present themselves by re-animating the flow of time? I feel a new narrative is posed by the isolation of a single Muybridge image from the context of its original sequence. My selection of alternate colors further jars the meaning. Effects of blurring and distortion torque the space. Multiple and mirror images lend tension or evoke other pattern-based associations.

With the application of a thick top coat of glossy resin, the picture plane of the photo image is visually slippery, and appears to float somewhere within the thickness. I think of my Muybridge images as cast in another type of frozen state, much like an ancient biological specimen locked away within a piece of crystalline amber.”

http://www.nkgboston.com/Artists/JeffreyPHeynen.html
RUFUS BUTLER SEDER

“Years ago, as a filmmaker, a fascination with antique motion picture toys led me to wonder if I could create movies on a grand scale using no electricity, moving parts or special lighting.

After some experiment I developed an 8” square, three-pound, lens-ribbed glass tile, which I called a LIFETILE. By combining many LIFETILES, I found I was able to create large-scale “Movies for the Wall”: optical wall pieces that appear to come to life, move and change when the observer walks by.

Since 1990 I have created large-scale LIFETILES murals for the Smithsonian Institute, AMTRAK, the BART subway system in San Francisco, science museums, aquariums, zoos and dozens of other public places around the world. While I continue to accept commissions, I now also create smaller, limited-edition LIFETILES compositions for galleries and private collectors.

The success of LIFETILES inspired me to develop my own patented line of smaller-optically animated items: CineSpinner™ Suncatchers with images that spring to life in a window when they rotate at the end of their string and Smart Move™ greeting cards with pictures than move realistically when they are opened. I also continue to expand a line of bestselling childrens’ Scanimation® books for Workman Publishing.

When I design any one of my works in these mediums I have invented, large or small, my goal is always the same. I am going for that signature motion that instantly defines the subject to the observer. I want to make you feel the weightless thrill of a dancer’s leap or the elastic coil and spring of a running cat. When I succeed, I feel as though I’ve created a little bit of life itself.”

http://www.nkgboston.com/Artists/RufusButlerSeder.html

New toy from Rufus here:

https://ejmuybridge.wordpress.com/2010/06/15/the-strobotop-another-winner-from-rufus-at-eye-think-inc/

Posted here by Stephen Herbert, website The Compleat Muybridge

Setting Time in Motion

Now here’s a treat – a preview of the short video made by Chocolate Films, for the Muybridge Revolutions exhibition at Kingston Museum.

“Chocolate Films is an award-winning video production company specialising in documentaries. We produce high quality films for cinema, television, commercial and community clients. Founded as a not-for-profit enterprise, we combine our commercial work with courses and projects, which enable children, young people and community groups to make films.”

Check out the video on their new website.
http://chocolatefilms.com/

Posted here by Stephen Herbert

For Your Diary September-October 2010

from a lantern slide, Kingston Museum

Lots happening Muybridge-wise in the UK over the next few months. Here are some of the events taking place during September and October. More details as they emerge.

Eadweard Muybridge at Tate Britain
8 Sept – 16 Jan
Tate Britain, Millbank
First major UK retrospective of Muybridge’s entire career.
Tickets £10/£8.50 from htpp://www.tate.org.uk/britain

Muybridge in Kingston Launch Day
Sat 18 Sept 12.30-7pm
Kingston Museum & Stanley Picker Gallery
Public launch of the Muybridge in Kingston exhibitions with special events for all the family, including a magic lantern show from Professor Heard, shadow puppetry from Zannie Fraser and an evening launch lecture on Muybridge’s links to the history of the moving and projected image by Muybridge expert Stephen Herbert.
All welcome – no booking required.

Park Nights at Serpentine Gallery Pavilion
Becky Beasley & Chris Sharp
Fri 24 Sept 8pm
Serpentine Gallery, Kensington Gardens
13 pieces, 17 feet is a monologue in thirteen parts that finds its point of departure in Muybridge’s extraordinary 1878 San Francisco panorama.
Tickets £5/£4 from http://www.serpentinegallery.org/park_nights/

Late at Tate: Eadweard Muybridge
Fri 1 Oct 6pm-10pm
Tate Britain, Millbank
An evening of Muybridge-inspired events.
Visit htpp://www.tate.org.uk/britain for further details.

In Conversation: Trevor Appleson
Wed 6 October 7pm
Stanley Picker Gallery
Exploring Muybridge’s influence on contemporary arts practitioners.
Limited seating – to reserve a FREE place please call 020 8417 4074

Muybridge & Moving Image History
Thurs 14 Oct, 28 Oct & 11 Nov 7pm
Kingston Museum
Evening lecture series offering unique insights into the relationship between Muybridge’s work and the history of visuality, film and animation.
Limited seating – to reserve a FREE place please call 020 8547 6460

Posted here by Stephen Herbert

Alice Simpson: somersaulting figures

Alice Simpson, whose Artist Book, “Bird” appears on The Compleat Eadweard Muybridge website [go here and then scroll down], has kindly sent some photographs of her other Muybridge-related work, in which she references his somersaulting figures. The first is another artist book, the others are ceramics. Enjoy.

INVESTIGATIONS : Pablo Neruda
2000
Unique Artist Book
Size: 7 1/2” x 5 1/2” x 40” open
Structure: Accordion fold in box with inset label
Materials: Collage, spackle, acrylic, bees wax,
metal punch letters, Japanese  papers
Historical images by Eadweard Muybridge (c.1884)
Poetry: Pablo Neruda (Chile 1904-1973)
SOLD

INVESTIGATIONS
I asked of everything if it had
something more,
something more than shape and form,
and I learned that way that nothing is empty–
everything is a box, a train, a boat
loaded with implications,
every foot that walked along a path
left a telegram written in the stone,
and clothes in the washing water
dripped out their whole existence…

Pablo Neruda
from Fully Empowered
Translated by Alastair Reid


UPSILAMBA
vessel
2005
12″ H x 16″ W
Stoneware with glaze and oxide

In ‘Reading Lolita in Teheran,’  author, Azar Nafisi, writes about Nabokov’s ‘Invitation to a Beheading’ in which he created the word “…an upsilamba, becoming a bird or catapult with wondrous consequences.”

Alice writes: “Eadweard Muybridge images of somersaulting figures frequently catapult through my books, art and sculptures.”

BETWEEN CLAY AND BOOKS
2003
16” H x 12” W
Glazed porcelain

SOMERSAULT
2003
Five sculptures in motion. Glazed stoneware
From 9.5” to 16.5” H
SOLD

BETWEEN CLAY AND BOOKS and SOMERSAULT were also inspired by Eadweard Muybridge’s photographic  images of somersaulting figures

A L I C E   S I M P S O N
C L A Y & B O O K S
alice@alicesimpson.com
http://www.alicesimpson.com

Posted here by Stephen Herbert

Michael Milburn Foster : new work


Man Performing a Straight Jump

Michael Milburn Foster continues his series of paintings inspired by Muybridge’s action photography.

I have always been fascinated by the moving image and I have been a film director for almost thirty years, as well as being a painter. However, I am now committed entirely to my painting and the one subject I want to continue to try and capture and describe is the human figure in motion.

The 2010 Collection is here:

http://www.milburnfoster.com/

His previous work, The Muybridge Series, is here:

http://www.milburnfoster.com/Muybridge.shtml

Man Running I – IV (one of four panels)

Milburn Foster’s work can be found in many private collections, the majority in London, Sydney, Paris, Milan, Zurich, Brussels and Budapest. His studio is currently in Budapest but he plans to return to live in France.